Welcome to the latest edition of habitat, a quarterly collection of stories from across the nature and climate space.
In this edition, we learn about how Lord of the Rings and starving reindeer can lead to a career in investigations, and we sit down for a chat with award-winning Aussie author Robbie Arnott.
Two life-long nature lovers share their story of quiet, radical activism, and ACF farewells the indomitable Dr Paul Sinclair.
With Winter well and truly here, this edition is made to be read while bundled up and warm.
Grab a cuppa, sit back and enjoy.
A radical act of hope
Sue Ferris and Jeremy Barrett have spent a lifetime loving nature. Now they're leaving it a gift that outlives them both.
Birdwatching is booming
Twitching is getting us off our screens - but 1 in 6 Australian birds is threatened with extinction.
A new chapter for Dr Paul Sinclair
After 18 years and some mammoth wins, ACF farewells a tenacious campaigner.
How to become an investigator
Mix Lord of the Rings, starving reindeer and a career quiz. Kim Garratt on how she went from dreaming of a permaculture life in Sweden to stopping bulldozers from space.
Open dossierI was Pippin. My dream was to live as far from the problems of the world as I could get.
- Kim Garratt, Environmental Investigator
Investigating habitat destruction and helping protect threatened wildlife
Inside Lime Green festival
Australia's first climate action music festival, run by Lime Cordiale – where the climate work hummed quietly backstage.
Taking on Big Gas
From Cyclone Narelle to Ningaloo: why burning gas is fuelling extreme weather, and how together we're cutting through the spin.
Wild At Art speaks for the species who can’t.
Wild At Art is Australia’s biggest wildlife art competition for primary school children. Get your entry in before 10 August 2026. Children from across the country are invited to create an original artwork of one of Australia’s many threatened native animals or plants, along with a short written piece on their chosen species.
Every entry is a child standing up for a species that can’t. If there’s a budding artist in your life, pass it on — Wild At Art has a way of catching on.
With the artist's permission, ACF forwards their artwork and story to their local MP - showing our decision makers the passion young Australians have for protecting wildlife.
Questions? Email wildatart@acf.org.au
Wander the immersive online gallery
Every entry from last year, woven into one.
ExploreDiving into Playground
Richard Powers' oceanic novel — a love letter to the thrill of being underwater, and how entangled with nature we really are.
Read moreAustralia's Biggest Bushwalk 2026
66,000km walked. $364,000 raised. Sometimes the most powerful thing you can do is go for a walk.
Read moreRobbie Arnott on rendering the wild
Author of Dusk — shortlisted for the Climate Fiction PrizeOn a childhood mucking about the mouth of Kanamaluka, why novels change us only when they surprise, and giant birds made out of rain.
Read the full Q&AWhat role do you think stories play in the climate space?
Stories about climate do the same thing all stories do - they help us make sense of a nonsensical world. Novels work when they surprise, when they lift you out of yourself. The change comes later.
If someone is new to your books, which one should they start with?
If you like magical naturalism, maybe Flames. If you like giant birds made out of rain ripping people's eyes out, go for The Rain Heron. I'm a terrible salesman.
An explosive novel of the wild, and the lengths humans will go to control it.
With escaped Puma, Dusk, roaming the distant highlands, outcast twins Iris and Floyd decide to join the hunt.
As they journey up into the wild, haunted country, they discover there's far more to the land and people than they imagined. Forced to make an uneasy alliance with a fellow tracker, the twins' lifelong bond is put at risk. And as the trio close in on their prey, it becomes clear where the true danger lies.
Read the Q&ATao-Yi and her partner Navin spend most of their time inside an immersive, consumerist virtual reality called Gaia. Across the city, in the abandoned real world, Tao-Yi's mother remains stubbornly offline, dwindling away between hospital visits and memories of her earlier life in Malaysia.
When a new technology is developed to permanently upload a human brain to Gaia, Tao-Yi must decide what is most important: a digital future or an authentic past.
Sarah Yates
Senior Lifecycle specialist AKA digital organiserI grew up on Waiheke Island, off Tāmaki Makaurau in Aotearoa, (Auckland, New Zealand), surrounded by beaches, beautiful bush walks, and a slow-paced way of living. I only really understood how lucky I was to grow up there, once I left.
My dad raised five kids on his own, in a style best described as free-range parenting. I grew up racing cars, burning petrol, and surrounded by a community made up of bogans, greenies, farmers and wine connoisseurs. In this eclectic community, we were encouraged to speak up, back each other, and give back. Back then my dream was to be a professional race car driver, so the environmental movement was not exactly on the radar for a bogan kid like me. But in hindsight, the seeds were already being planted.
In my early twenties, I found my people, including some very committed 'greenies' who introduced me to a whole different way of thinking. I started out mostly noticing the recycled toilet paper, but I stayed involved because of the politics, the purpose driven work, and the possibility of being part of something bigger than me.
I studied Education and Psychology, along with Fine Arts, and got involved in social justice and environmental organising at university. After that, I started volunteering and working with groups like Kiwis Against Seabed Mining and Greenpeace Aotearoa, and since then, only worked for not-for-profits.
In 2015, I moved to Sydney to work for Greenpeace Australia as an Activist Coordinator. Later, I found myself back at Greenpeace Aotearoa, focusing on how to turn online engagement into meaningful offline action, quickly, meaningfully, and at scale.
Since then, I've worked across environmental campaigning and the union movement, always drawn to the same thing: supporting people to act and build power together. Whether it was eco agriculture campaigns, union organising, or supporter engagement, my vision and passion has been the same.
Eventually, family and timing pulled me back across the Tasman, to Naarm (Melbourne). Most of my family was in Australia, including my sister and her kids, and I was ready to step back into the environmental movement, so joining ACF felt like the right next step.
In my role I get to help shape your journey, from the information you receive to the actions that land in your inbox. It's amazing to reflect on my own journey of how I arrived at ACF and all the puzzle pieces that led me here.